Best Zoom Lenses Reviewed & Rated for Quality
We've spoken a whole lot about the purpose and importance of good lenses. The camera body portion of your photography kit is essential, but the lenses you collect could make or break perfection and ease. Imagine your camera body is a multi-sport athlete, and your lens options are the equipment. If each sport is a specific type of photography (street, portrait, landscape, etc, etc) then each lens is a different essential piece of equipment for the said sport. Those lines can get a little blurry when it comes to telephoto or zoom lenses so we want to focus on those with a list of the zoom lenses that'll help you get the perfect shot no matter what you're going after
In a Hurry? The test winner after 12 hrs of research
Best Zoom Lenses Reviewed and Rated For Quality
1. Nikon AF-S DX
4.5 max aperture is nothing to write home about
Nikon and Nikkor’s history with optical zoom technology is no laughing matter. They’ve jumped into the camera and imaging technology worlds on the back of their extensive work with space programs, satellite technology companies, and of course, telescope manufacturers. So it’s no surprise that the leading zoom lens on the market is a very proud, and historic Nikon.
It’s not very common for a lens of this much grace, and of this size to come packed with such a wide range capability. You’re looking well and beyond the standard scope of kit or boxed lenses here. From the smallest 55mm focal length to the top end of 300mm, this f/4.5 lens can do almost all of it. Add a teleconverter, and you may never need to own another zoom lens in your life.
The VR From Nikon
Part of their history, part of the prose that comes with the indulgence of a Nikon or Nikkor piece of glass is their handle, and prowess in the stabilization game. As we mentioned, they were born out of necessity within the satellite and space engineering world, and you need some very stable images if you’re going to be in space. So believe us when we say that Nikon’s Vibration Reduction (or VR) image stabilization technology is the best on the market.
Cost and Value
There isn’t a better zoom lens straight from a body-brand like Nikon, for this price, on the market right now. Period. The 55-300mm Zoom Lens from the Japanese camera company is the most capable nearly-bargain bin priced lens you can find (new that is … )
2. Tamron Auto Focus
Macro bottom end
Not the sharpest images
Tamron is one of those companies that non-photography geeks are never going to hear about. They’re the sly, undergraduate that is making waves. Mainly because they design and manufacturer cheap renditions of popular lenses, that fit those popular camera body mounts. Birthed in the middle of the 20th century, the Tamron Optical Company was founded in Japan, and oddly (nowadays) is partially owned by Sony Corporation, even though they make lenses for Nikon mounts, Canon mounts, and Fuji.
The Mid Season Trade
Keeping with our poorly designed sports theme, the Tamron line-up of famously well-developed lenses are like the second-tier goal scorer, that is traded before the deadline to the other team. This specific lens (the Tamron 70mm-300mm f/4) has four places it can go. As an option you have to choose before adding it to your cart, the Tamron 70-300mm Zoom Lens can be purchased for Canon, Konica/Minolta/Sony, Nikon, and Pentax mounts. Making this single lens and option for almost everyone shooting in the twenty-first century.
The Warranty Contract
Often when you make the decision to get an “off-brand” product, especially in the technology industry, you’re sacrificing a bit of money (usually costing far less than the name brand version), but more importantly the quality. Thus, making it easy to cheap out on a lens, if you know it’s not going to last very long. You get what you pay for, right? Well, Tamron (as a company that solely makes more affordable lenses for popular cameras) has an unprecedented SIX YEAR warranty for almost all of their glass.
Cost and Value
A lens (the 70-300mm Zoom) that would normally cost you roughly a thousand USD or more, at only a tenth-ish of that price, backed by a seventy year pedigree in optics manufacturing and design, and tailored together by a half-dozen years worth of warranty coverage? This might be the most bang for your buck on any list we’ve ever published.
3. Canon EF
200mm max focal length
Optical image stabilization
Lens stand mount
Circular aperture blades
Now comes the other side of the Nikon coin. It’s the essential Canon Camera Telephoto Zoom Lens. This company, being the standard and somewhat normally boring technology manufacturers that they are, put a whole lot of love in their tiny prime lenses, and their zoom lenses. Maybe it’s an internal focus on this glass design that makes Canon still relevant today.
With a minimum aperture size of 32 and a maximum size of 2.8, this might be one of the most advanced aperture telephoto lenses on the market. At least at this (still relatively sane) price point. It’s normal for zoom lenses to lose the flair of a crazy big aperture number (some prime lenses can reach a max aperture of 0.95) in order to provide quality focus and detail at zoomed lengths, but the Canon 70-200mm Zoom Lens doesn’t lose all that much.
Canon touts an incredibly complicated, and beautifully designed set of motors and modes built into this zoom lens. And you’d expect it at this price range. The Canon 70-200mm Zoom Lens comes with an Ultrasonic Focus Motor, for extremely smooth and quiet movement, as well as an incredible Ultra-Low Dispersion Element for their optical image stabilization. The latter is key for zoom lens photography.
Cost and Value
You can’t beat around any bushes here with the price. Though you can take extremely beautiful and crisp photos of the said bush, from a rather far distance, with this lens. At the cost of a mid-size beater car, the Canon 70-200mm Zoom Telephoto is the peak of premium glass on this side of the “this is getting ridiculous” fence.
4. Nikon AF-S FX
Great top end
Compact size (for a telephoto)
Intense vibration reduction
Small max aperture
Not very wide bottom end
Back again with a well designed, and sort of everyday standard Nikkor glass for Nikon DSLRs, the Nikon AF-S 200-500mm Zoom lens is a beast for distance, but the slight loss in addition tech and image quality cuts down on the cost, making this lens a perfect option for those looking to get into the zoom/telephoto game without breaking the bank.
It’s advertised as a “compact super-telephoto” and while that might be true, it’s anything but small. The real reason it is able to keep from being one of those ridiculous, almost jokingly large, zoom lenses is that they sacrifice the bottom end of the focal range in order to keep the lens that small. A lens at this size would normally be somewhere around the 50-200mm focal length mark. But this bad boy starts at 200mm and goes all the way to 500mm.
It’s no secret that at the farthest reach of this camera lens, even the smallest added movement to your camera or lens will completely destroy your photo, and it’s sharpness we’re really going for when introducing a telephoto lens to your kit. The Nikkor 200-500mm lens has such an advanced camera vibration reduction, that it’s not even something you’re ever going to have to worry about.
Cost and Value
There are better zoom lenses out there. There’s a lot of room for improvement in the f-stop and aperture numbers with this lens, but at the average price for any lens, and you get a very capable and beautifully normal-sized super-telephoto lens with the ability to shoot up to 500mm zoom? That’s a crazy value that just can’t be ignored.
5. Pentax HD
Near silent motors
Long top end
Oh hey! It’s Pentax! One of the remaining companies from the analog era, Pentax is still quietly making amazing digital and film cameras over at their headquarters in Tokyo, Japan. They may not be often considered in the battle for the top spot (that would be an argument over Canon, Sony, and Nikon, of course), but that doesn’t mean they’ve bowed out of the fight altogether. And after their 2011 $10Billion dollar buyout from copier-maker Ricoh, they’ve got some wiggle room to be exclusively Pentax, and not worry about dominating the market like they once had.
There aren’t a lot of product on the market that can easily compete with this Pentax lens at the top end. Plenty of great lenses out there never reach for the moon at a 450mm focal length, but the Pentax does it with suave elegance. Keeping with the traditions set back a hundred years ago when the manufacturer first introduced simplified end-user products with minimal hassle.
No Pops in Paparazzi
Being far away from your subject, or getting a really tight shot from a little bit closer are two very distinct reasons why having a telephoto (or in this case a super-telephoto) lens is ideal. With the Pentax HD D FA 150-450mm Zoom Lens, however, you get all of that goodness at an almost silent decibel. Perfect for those sneaky shots of movie stars and celebrities.
Cost and Value
An unfortunate side-effect of being left out of the top contenders' list, and a product of Pentax having the flexibility to make the most amazing things, getting into the premium pro-inspired line-up from Pentax isn’t cheap. The lenses included. You won’t have to re-mortgage, yet. But you might want to consider a small loan. Luckily, the value and capabilities of this lens completely make up for that.
6. Canon EF 8-15mm
Two unique ends of the zoom
Can’t remove the fish-eye
Lens cap problems
Jumping back into the Canon pool, we’ve got an extremely premium, and unique lens for you. The Canon EF 8-15mm f/4 Fisheye USM Ultra-Wide Zoom Lens is as unique as any other on this list. Bringing you all of the bang that comes with Canon glass, and a little bit more than other lenses can offer with some intriguing changes to the ultra-wide formula.
Unique New York
This is Ron Burgundy reporting from … it’s actually not. Still me. But the unique part of that subtitle is super accurate. There are a lot of great macro lenses on the market. The wide-angle game is one of many options, and most of them are premium quality, but Canon has gone full weird, and thrown a Fish-eye cap on the end of this ultra-wide angle lens, ensuring that nothing you take with this lens will look like any other lens you have.
Fish Called Wanda
How many movie references can I make in a single buying guide? Is that a challenge? The fish-eye end capped to the beautiful ultra-wide angle lens from Canon can create some stunning photographs. Bringing the zoom all the way to the bottom end can create a near-perfect circle image, whilst the top end gets a unique perspective to a standard wide-angle point of view. It’s truly a delight, and you won’t be disappointed.
Cost and Value
At just above the median price for a quality lens, it’s a bit tricky to justify a unique and crazy lens like this for the everyday photographer. If you’re a professional or are extremely in love with fish-eye photography, then this might be a lens that you should own, or never take off your body. That makes the value skyrocket. There’s a place for this type of unique lens, and it’s priced to show that.
7. Canon EF 24-70mm
Full-time manual focusing
Quick and quiet
“Stupid heavy,” says Noah
Canon is back with more zoom lens goodness for you, and for our list, this rightfully lands on the south side of the middle because it’s a gold standard, made very well, but lacks some the pizazz needed to acquire a top five spot. Canon surely has won you over now with their glass game, because a lot of their worth is in the glass they offer. But if you’re looking for something abnormal, then look somewhere else.
Gold Standard, Red Ring
Normally Canon has come pretty exciting glass. But this isn’t the case with the EF 24-70mm f/2.8. The beauty of this lens is in how absolutely meticulous the craftsmanship is, and how wonderfully standard the specs are. There’s a lot of use for this zoom range, as it’s near or dead-on to most of the lenses that come with Canon cameras. Then there’s the 2.8 aperture maximum which is a whole lot better than those box lenses, but not astounding. This is the gold standard of Canon lenses.
The specs might be a bit boring, but the make is nothing shy of a miracle. There are so many budging advancements in Canon’s lens technology packed into this tiny package. And on top of it all, it’s one of the most durable high-end camera lenses ever introduced to the consumer marketplace.
Cost and Value
The red ring around the lens signifies that it is a recently developed EF USM Canon lens, which also means that Canon is going to charge you an arm and a leg for it. Rightfully so, considering the advancements made in their recent line-up of glass. This is not for the faint of budget, or the photographer looking to add a unique and interesting piece of glass to their kit. It’s almost strictly for those looking to replace their gold standard with a better one.
8. Sigma 17-50mm
Carry-case and hood
No Fujifilm mount
The lesser-known third-party lens manufacturer among photographers of all skills, Sigma swoops in near the bottom of our list with this incredibly impressive 17-50mm f/2,8 Zoom Lens. The third-party market isn’t as crazy as some might think. Especially if you consider that on a few companies make the world's most popular “ode-to” lenses, and they can fit almost any camera on the market.
Upgraded Box Lens
Most modern day digital SLR cameras come in a boxed set. This set will include the body, the battery, a strap (probably), and a box lens. This box lens will usually be somewhere around the 18-50mm range or the 20-75mm range. That’s where the sigma comes in. With almost double the max aperture of the standard boxed lens, and roughly the same zoom range, the Sigma DC OS HSM FLD Large Aperture Standard Zoom Lens is a natural upgrade from your box lens, at the fraction of the price that an on-brand one would cost.
Mount ‘Em All
With the third-party lens game, comes the need to facilitate whichever camera body the consumer has. This isn’t an easy thing to accomplish. But Sigma does it in style here. With mounting options for Canon, Nikon, Pentax, Sigma bodies, and Sony bodies, this standard zoom lens can do it all, with whichever modern body you have.
Cost and Value
Starting at a fraction of the price that an on-brand version of this lens would cost, and considering this single lens has the ability to mount (you choose at checkout) almost every modern DSLR, the value is inescapable.
9. Nikon AF-S DX NIKKOR 18-55mm
Nearing budget price
Lighter and smaller than older models
Normal focal range
AF isn’t quick
How about skipping the option for upgrading your boxed lens and just buying a really great boxed lens without the body?! That’s exactly what Nikon is looking for when it made this Nikon AF-S DX Nikkor 18-55mm Zoom Lens.
VR Stable and Able
As with almost all common modern Nikkor or Nikon lenses, the AF-S DX Nikkor lens comes standard with the proprietary Vibration Reduction (or VR) stabilizer, for extremely crisp, and sharp images at either end of the zoom, and anywhere in between you might be shooting. It’s also extremely lightweight, with street photographers in mind during manufacturing, Nikon made this one of their lightest zoom lenses in company history.
This is the ideal lens purchase for any Nikon fan or user that picked up a Nikon body without a lens. Considering that this is essentially the newest version of the standard in-box lens, Nikon sells it separately, because a lot of used camera sales are with the body only, and come camera shops even offer discounts if you buy just the body versus the full kit. The standard 18-55mm focal length is a perfect “everyday” lens for the hobbyist photographer, and the max aperture of 3.5 is a little bit better than the kit lenses from Canon.
Cost and Value
Nearest the budget portion of our list that you can get without fully sinking into the pit of cheaply made products, this out-of-the-box kit lens from Nikon is only a few hundred dollars and can replace, or upgrade any standard boxed lens that Nikon has ever offered consumers. The value is definitely there for hobbyist photographers.
10. Cell Phone Camera
Also a monocular
Difficult to align on your phone’s camera lens
Easy to lose/drop
We’ve hit the end of our list, and we’ve finally hit the trademark point where I throw the convention out the window and offer you all a look at a product that is sort of under the title of this guide, but kind of not, in the same breath. You almost thought you got through a whole list without me pulling a relevant fast one on you?
Have you ever taken out your smartphone and wished that the deer hundred of yards away was closer so that you could get a decent photo for the “‘gram”? Well, today is your lucky day. In fact, I know a whole ton of professional photographers, like Chase Jarvis, who has made a name for themselves using just their phone to take amazing photos. This Cell Phone Telephoto Lens from Sevenka has a 12x zoom, bringing your subject much closer optically than you could get them without it.
Zoom lenses and telephoto lenses are essentially telescopes for your cameras, right? That’s why plenty of the now famous camera companies began with telescoping image manufacturing prior to the invention of consumer cameras. Which is why the beauty of this cell phone telephoto lens is that it comes with an eye cap, which allows you to take it off of your phone, and use it as a monocular.
Cost and Value
Under the price of a meal at a fast food joint, this cell phone photo game-changer is just one of many lenses you can buy for your pocket camera. And one of the most essential. The biggest plague for cell phone photographers is the distance and fragmenting of image quality with the built-in digital zoom. So avoid that and get 12x the zoom without breaking open the ceramic pig.
Criteria Used for Evaluation
Zoom lenses can be very different from Prime lenses, and one should shop for them differently too. With prime lenses, you’ve got a lot of narrowing down to do. You’ll get the best tool for the job, but you’ve got to understand what that job is before heading out into the marketplace to be bombarded with options.
When looking at picking up a Zoom lens for your kit, the narrowing vastly differs. Many of these lenses can do a whole lot, and do it very well. There are no strict constraints on your ability to use them.
Aside from a few of our choices, like the fish-eye, and macro stuff, zoom lenses thrive in their ability to cover multiple lengths. That’s their whole purpose after all. But a 200-500mm lens, while having the ability to cover a lot of bases in between the top and bottom end of the focal lengths, can’t perform very well (or at all in most cases) at a focal length of anything below the 200mm mark.
So there’s more of a ballpark that one must find when deciding which kind of Zoom lens to go after. The difference between getting a lens capable of shooting sporting events, air shows, racing, and nature from a distance is going to be a vastly different marketplace than those looking to shoot landscapes with a wide-angle zoom.
The use of digital technology in photography will always be a sticky conversation to have, both with purists and with those devoid of any analog experience. But the addition of some of the imaging hardware advances in the technological aspect has drastically changed the quality of life for a photographer of both professional, and enthusiast levels.
Things like optimizing image stabilization have changed the way we look at shooting things with long-reaching zooms. It’s actually made it a feasible option for anyone with a tripod these days to shoot at a full focal length of 500-900.
Perks like optical motor density and noise reduction is also changing the way we photograph things, rather than changing the photographs. As a street photographer myself, the quieter the set-up, the most success you can have out and about. Think about the crazy change in nature or animal photography as well. Not scaring away your subjects, no matter how close you are, it essential to capturing the perfect moments.
Other perks like rounded aperture blades for smoother, rounder bokeh, and versatile wide-angle lenses are just some of the ways the act of taking a photograph has been changed for the better since the melding of technologies.
So even those that prefer analog, and think that digital is a detachment from the beauty that is still images, can’t complain too much about the additional quality of life improvements that technology has made to the genre.
There’s a lot of volatility in the camera accessory markets when it comes to price ranges, and lenses are no different. The price gap between premium lenses and budget lenses can soar into the multiple thousands, and that means a far more complicated assignment for the everyday shopper.
Much like every list, we try to put together, there’s a distinct advantage to attempting to span the price gaps in the market. Here we’ve offered up a bunch of quality budget-friendly lenses. Ones that do an amazing job. The inbetweeners that reach the median prices of the market (a more standard price). And the extremely pricey (though we got nowhere near the top end of the lens market).
As the consumer, you’ve really got to budget accordingly before heading into full shopping mode. Doing as we suggested in the first point of this section, and narrowing down the job you’re aiming to accomplish can do a lot in narrowing the price range you’re going to be able to look at.
Luckily for most of us -- those that shoot on one of the main five camera brand bodies, anyways --, there are some pretty epic options for budget third-party lenses that won’t cost more than the bottom of the line on-brand lenses. This helps you try out lens types, and functions, before diving into the thousands of dollars needed to get into the Nikon, Canon, or Sony game.
Our list contains a varied price range, but your shopping doesn’t have to. Narrow things down as best you can. And keep in mind that, as with any technology industry, you’re going to get results based on the amount you spend. There’s not a whole lot of room for markup in this industry, so the relative cost of manufacturing and design are passed on to the consumer.
Ease of Use
While most of you photographers will know their way around a lens there is something to be said for a lens that's not going to be so precise it becomes unwieldy. It all depends on your comfort level. Some shooters might just want a set it and forget it zoom lens while others might want to work with every angle when it comes to focal length so we're looking for both here.
Believe it or not, this is an issue. Some of these lenses are a haul and carrying around all day long can put a strain on the best of backs. So while the bigger the lens naturally the heavier it's going to be we're trying to find a nice mix of weight and strength so you can get where your going and have your lens waiting to use when you get there.
Expert Interviews & Opinions
There are so many choices out there before you go buying a zoom lens take the time to make sure you have what you need before you go dropping a lot of scratch. The fact is all zoom lenses are not the same so if you're doing a specific kind of shooting make sure you're getting the lens you need. If you just want to fill out your lens collection then maybe a general purpose zoom is best for you.
Frequently Asked Questions
q: What is the “mm” number on a lens?
As these are zoom lenses, you will always see two numbers with “mm” next to them on the designated lens. Most of the world’s lenses come with that number on the side of the lens. This “mm” is the designation for the focal length of the camera lens. It breaks down the ability of the lens to focus on subjects at certain distances away from the camera.
This is the same with prime lenses (fixed-zoom lenses), but a prime lens on has a single zoom focal length, so there won’t be more than one number. The magnification of the image can also differ depending on the sensor of your camera. If it’s a full-frame camera, then whatever the lens says, is what you’ll be able to shoot. But if there’s a cropped sensor in your camera, then you’re going to have to do a little bit of head math in order to figure out at which distances can your lens focus on.
q: What is the “f” number on a lens
The number that follows the “f/” or is immediately before the word aperture, is just that, the aperture number. The f-stop (aperture) number on a camera is usually communicated via it’s maximum, which is the lower number is can be set at. The lowest number is the highest aperture because it’s the biggest setting a window can be set at. Letting in designated light, and giving you (the user) the ability to focus on a single subject, or everything within sight.
q: Do I really need to upgrade my lens game?
That all depends on how serious you’d like to take your photography. The kit lenses that come with your boxed camera body these days are designed to be “everyday use” lenses, or “standard” lenses, but they’re only going to take you so far in your travels through the world of stills. It’s highly suggested if you’re an enthusiast that you upgrade your glass because there is always a better lens out there. It is demanded of professionals, to upgrade their lens game, because they have specific criteria and jobs to accomplish.
- How To Use A Zoom Lens, Webpage ,
- Understanding Zoom Lenses and How to Use Them Properly, Webpage ,